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Gallery
Movable Mural
Dena Stewart and Stewart Stewart Talk to Lester Strong About
Healing Through Art
“HIV/AIDS was a natural topic for us to deal with.
After all, we live in South Beach, and the Miami, Florida,
area has the third largest AIDS population in the country.
In the 1980s and 1990s, a lot of our friends here were sick,
and a lot were dying. At one point we were going to memorial
services at least once a month for people we were close to.
It hit us really hard. But no one was talking about it much
away from the memorials—no one seemed to know how to
talk about it.”
The speaker is Dena Stewart, and she is describing the origins
of “What It Feels Like To Live With HIV/AIDS—Movable
Mural,” part of a unique program “Telling Stories
Through Visuals” which she and her husband Stewart Stewart
developed through their nonprofit organization Center for
Folk and Community Art (CFCA), which they founded in the early
1990s.
“Telling Stories Through Visuals” is a two-part
program involving writing/art workshops and public mural
exhibitions, with a twofold aim. Facilitators guide workshop participants
through a process in which they visualize a particular
issue and how it affects their lives, write narratives about their
visualizations, and illustrate the narratives with pictures.
The narratives and drawings are then added to a movable, montage-style
mural that is displayed in venues all over the country
to help educate the general public about the issue. In the words
of Stewart Stewart: “We use art first as an intervention
in people’s lives, as a way of helping them come to
terms with events or situations that have affected or even
traumatized them. Then we use the drawings and narratives
produced in our workshops as a way of educating the larger
public about the issues involved.” To that end, Stewart
and Dena not only make sure the murals are displayed publicly
in venues all over the country, but secure publicity in the
localities where they are shown, arrange for school and civic
groups to visit the murals, and offer presentations on the
issues involved.
So what is it like to live with HIV/AIDS? According to
Dena Stewart: “Despite all the medicines that are keeping
people alive so much longer these days, despite over two decades
of this disease and knowing how it’s transmitted, it’s
still not easy. Take the twelve-year-old boy born with AIDS
who wrote in one of our workshops, ‘I hate what I got
because nobody wants to touch me.’ Or the thirty-four-year-old
heterosexual woman who wrote, ‘My parents said that
I should tell people that I have cancer because people would
accept that, then my father got drunk and told everyone I
have AIDS. I had to move away from the town I grew up in.
. . .’ There’s still a lot of ignorance out there
about AIDS, and it hurts a lot of people. In our workshops
we take aim at the emotional aspects of living with the disease,
in order to help relieve the feeling of stigma. Using the
mural—now over ninety feet long—we try to open
up a dialogue with the general population so they too can
learn what it means to live with HIV/AIDS and become part
of the solution, not part of the problem.”
Have the workshops and mural made a difference? States
Stewart Stewart: “We’ll probably never know the answer
to that in regard to everyone who’s attended our workshops
or seen the mural. But yes, many of the visuals and narratives
produced by participants indicate or project has had a big
impact, especially on young people—just look at the
drawings and stories by Denis, Alexis, Eddy, and Jamyl.”
Over the years, CFCA has tackled not just HIV/AIDS, but
subjects like growing older, getting along with neighbors,
traumas
resulting from natural disasters like Hurricane Andrew,
the 9/11 terrorist attacks on the World Trade Center towers
and
the Pentagon, teen date rape, and tobacco use, among others.
It has won numerous awards, and in the mid-1990s was selected
by the President’s Committee on the Arts and Humanities
as one of eight model programs around the country to successfully
combine visual art with social services in helping change
people’s lives. Although its roots are in Miami Beach,
these days its scope and reach are nationwide.
Artists, with backgrounds in education, public relations,
and the entertainment industry, Stewart and Dena see their
work as a way of giving back something to their community.
Comments Stewart: “For me, it suddenly made sense. All
I had been doing before was making money and making the egos
of my clients feel better. It was such a waste of energy.
Now I help others come to terms with parts of their lives
they find problematic. It’s a privilege.” Adds
Dena: “It’s given me a tremendous perspective
on what’s going on in the world. I think we’ve
both learned how to take the caring we feel about others and
act on it in our lives.”
To learn more about CFCA and the program “What It Feels
Like To Live With HIV/AIDS—Movable Mural,” visit
the organization’s Web site www.artmurals.org. To bring
its HIV/AIDS workshop or mural to your community, contact CFCA
by mail at 1800 Michigan Ave., Miami Beach, Florida 33139;
by phone at (305) 534-8807; by fax at (305)
538-4081; or by
email at cfcamurals@aol.com.
Lester Strong spotlighted artists who have died from AIDS
in the February 2003 issue.
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